TY - JOUR
T1 - The Effect of Focus of Attention on Error Detection Ability
AU - Williams, Matthew L.
N1 - Funding Information:
The author received no financial support for the research, authorship, and/or publication of this article.
Publisher Copyright:
© National Association for Music Education 2021.
PY - 2022/1
Y1 - 2022/1
N2 - The teaching of error detection is a complicated process, made more so by our evolving understanding of the psychological processes involved with attention itself. The purpose of this study was to explore the impact of listener attention on the error detection process. Guiding research questions were as follows: (1) In what ways does directing attention influence one’s ability to detect errors? and (2) Does voicing of error influence participants’ ability to detect the error? Participants (N = 64) at six universities listened to 40 recorded excerpts of three-part Haydn divertimenti, either focusing on one line or holistically, while marking errors on a printed score. Participants were better able to detect errors in lines of focus than in peripheral lines and were similarly better at detecting errors in an unfocused listening condition versus focusing on any one of the lines. Additionally, participants were most successful in detecting peripheral errors when focusing on the middle staff and were least successful in detecting errors in the bass line, even when focusing on the bass line. Suggestions for future research and implications for music education are discussed.
AB - The teaching of error detection is a complicated process, made more so by our evolving understanding of the psychological processes involved with attention itself. The purpose of this study was to explore the impact of listener attention on the error detection process. Guiding research questions were as follows: (1) In what ways does directing attention influence one’s ability to detect errors? and (2) Does voicing of error influence participants’ ability to detect the error? Participants (N = 64) at six universities listened to 40 recorded excerpts of three-part Haydn divertimenti, either focusing on one line or holistically, while marking errors on a printed score. Participants were better able to detect errors in lines of focus than in peripheral lines and were similarly better at detecting errors in an unfocused listening condition versus focusing on any one of the lines. Additionally, participants were most successful in detecting peripheral errors when focusing on the middle staff and were least successful in detecting errors in the bass line, even when focusing on the bass line. Suggestions for future research and implications for music education are discussed.
KW - error detection
KW - focus of attention
KW - inattentional deafness in music
KW - inattentional processing in music
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U2 - 10.1177/0022429421997449
DO - 10.1177/0022429421997449
M3 - Article
AN - SCOPUS:85101931327
SN - 0022-4294
VL - 69
SP - 473
EP - 485
JO - Journal of Research in Music Education
JF - Journal of Research in Music Education
IS - 4
ER -