Abstract
This article explores the conception and development of Soft Control Material (SCM) (1968-1974) as a key case in the mutually inflected development of post-war design and the emergence of the concept of environment. Designed by Warren M. Brodey and Avery R. Johnson, SCM was a suite of interdependent technologies-high and low, digital and analog-comprising a sponge-like material made from foam and/or Freonfilled plastic bladders, special types of valves, and various articulated cladding surfaces. According to its inventors, SCM was not a finite object with a distinct form but was ultimately conceived of as a self-organizing, biomimetic metastructure (both tool and toy) for facilitating new types of human-environment communication; a 'medium' that might, in Brodey's words, 'provide instantaneous feedback and thereby allow infolding with time, memory, energy, [and] relation.' These, in turn, would effect for the subject a virtuous topology of environmental discovery, new types of ecological and 'interspecies' relationships and, ultimately, a conscious evolution of humanity.
Original language | English (US) |
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Pages (from-to) | 139-156 |
Number of pages | 18 |
Journal | Journal of Design History |
Volume | 30 |
Issue number | 2 |
DOIs | |
State | Published - 2017 |
Keywords
- Cybernetics
- Design
- Design culture
- Ecological design
- Environmental design
- History of technology
ASJC Scopus subject areas
- Visual Arts and Performing Arts