@article{227231269be84b6a92a64154c0538315,
title = "Return to the land of the head hunters: Edward s. Curtis, the Kwakwaka'wakw, and the making of modern cinema ed. by Brad Evans and Aaron Gslass (review)",
author = "Jenkins, {Jennifer L.}",
note = "Funding Information: The editors, both interdisciplinary anthropologists, amassed a group of First Nations and nonindigenous film and art scholars, ethnomusicologists, curators, musicians, composers, and conductors, a film preservationist, and photo historians specializing in the work of E. S. Curtis. The provenance of the film at the heart of the whole project will sound familiar to many AMIA members: the American Museum of Natural History convinced Curtis around 1924 to sell the negative and cede copyright to it; a nitrate print was deposited at UCLA by David Shepard in 1988; a 16mm partial print, donated in 1947, was borrowed from the Field Museum in Chicago; the preservation was funded by the National Film Preservation Foundation and completed at the UCLA Film & Television Archive, as described in fine detail by Jere Guldin. Finally, a digital transfer by Milestone Films, in 2012, made the film widely available in this century. Although this book was published six years ago, there is much here that is timeless and instructive for similar work going forward, validating the need for the paperback reprint edition published in 2020.",
year = "2019",
month = sep,
day = "1",
language = "English (US)",
volume = "19",
pages = "129--131",
journal = "Moving Image",
issn = "1532-3978",
publisher = "University of Minnesota",
number = "2",
}