Abstract
The present study examines the use of sexual objectification by popular female music artists in their music videos. To obtain a current assessment of sexual objectification within pop, country, and hip hop music videos, a content analysis was performed. Our primary purposes were to examine (a) differences by race (in particular, differences between White and Black artists) and (b) by genre (i.e., pop, hip hop/R&B, and country). Results revealed only 1 race difference. In that case, Black artists were nearly twice as likely to wear sexually provocative attire. The results yielded consistent genre differences in which country artists were less likely to engage in sexual objectification, probably because of the socially conservative nature of the genre. However, in the main, there were few differences in sexual objectification between pop and R&B/hip artists. Findings are discussed in relation to objectification theory (B. L. Fredrickson & T. A. Roberts, 1998) and the framework of post-feminism (e.g., Gill, 2007; McRobbie, 2004).
Original language | English (US) |
---|---|
Pages (from-to) | 66-87 |
Number of pages | 22 |
Journal | Howard Journal of Communications |
Volume | 23 |
Issue number | 1 |
DOIs | |
State | Published - Jan 2012 |
Externally published | Yes |
Keywords
- gaze
- gender
- popular music
- provocative dress
- race and ethnic differences in music videos
- sexual objectification
- sexualization
- sexualized dance
- skin exposure
ASJC Scopus subject areas
- Communication
- Strategy and Management