Abstract
The story of Genesius’ parodying baptism but then being converted by his own acting provides a test case for Schechner’s efficacy-entertainment dyad, in which the actor becomes his role.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 51-77 |
| Number of pages | 27 |
| Journal | Greek, Roman and Byzantine studies |
| Volume | 63 |
| Issue number | 1 |
| State | Published - Mar 31 2023 |
ASJC Scopus subject areas
- Classics
- Cultural Studies
- History
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