Abstract
By operationalizing visual frames in terms of the human-interest vs technical frame and the anti-war vs the pro-war frame, and exploring the use of two sets of framing devices: graphic portrayal and emphasis, this framing analysis of 1387 photographs examined contrasting visual narratives employed by English- and Arabic-language transnational press in covering the 9/11 attack and the Afghan War. For the English-language newspaper, the International Herald Tribune, the frames emphasized the human suffering of 9/11 and de-emphasized the civilian casualties and moral guilt of implementing military force in Afghanistan by focusing more on a pro-war frame that showed the complex military high-tech operations and patriotic pictures. For the Arabic-language newspaper, Al-Hayat, the frames focused less on the victims and more on the material destruction of 9/11 and humanized the victims of the Afghan War. Furthermore, it focused on an anti-war frame by running visuals of anti-war protests and emphasizing graphic visuals portraying the humanitarian crisis in the Muslim country of Afghanistan.
Original language | English (US) |
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Pages (from-to) | 695-717 |
Number of pages | 23 |
Journal | International Communication Gazette |
Volume | 72 |
Issue number | 8 |
DOIs | |
State | Published - Dec 2010 |
Externally published | Yes |
Keywords
- 9/11
- Afghan War
- Al-Hayat
- International Herald Tribune
- framing
- photojournalism
- transnational press
- visual reporting
- war coverage
ASJC Scopus subject areas
- Communication
- Sociology and Political Science