TY - CHAP
T1 - A Surface Collaboration
T2 - Hitchcock and Performance
AU - White, Susan
PY - 2012/9/3
Y1 - 2012/9/3
KW - A surface collaboration-Hitchcock and performance
KW - Acting in a director's works-how performances are manipulated by visual and sound style
KW - Complexities of Hitchcock's relationship to actors-striking performances of films
KW - Cultivation of his directorial reputation-Alfred Hitchcock, not averse to a bit of ironic drama
KW - Grant's "Kuleshovian" properties-more evident than in Notorious
KW - Hitchcock collaborator, Cary Grant-apt subject for graphic representations
KW - Hitchcock's interesting films-undermining traditional theatricality
KW - James Stewart, like Grant, pantomime's repertory of gesture-facial expression to Hitchcock's films
KW - Last image in Vertigo-a capstone of Hitchcock's work with the silhouette, Gothic work with shadows in Psycho
KW - Rear Window, Kelly's Lisa Fremont-ability to "act," crucial to plot and to subtext
UR - http://www.scopus.com/inward/record.url?scp=84887181549&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=84887181549&partnerID=8YFLogxK
U2 - 10.1002/9781444397321.ch10
DO - 10.1002/9781444397321.ch10
M3 - Chapter
AN - SCOPUS:84887181549
SN - 9781405185387
SP - 181
EP - 197
BT - A Companion to Alfred Hitchcock
PB - Wiley-Blackwell
ER -